Anastasia Aliyeva

Download Now Server 1 Download Now Server 3 Download Now Server 2 Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art.  Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions.  The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic, to play with these. Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to

Download Riacho Fonts Family From SullivanStudio Riacho is a Portuguese word for “creek”. It evokes movement and tranquility. It was in this spirit that I created Riacho: I wanted a typeface that would bring the industrial dynamism of a sans serif while passing the informality and trust of an old friend. Riacho is completely handmade, stylus-designed, charmingly imperfect but with a rational, objective attitude. Riacho is sans, but its capital letters are serif. The kerning is rigorous, and the ligatures are reduced to the essentials without distractions. The font features a subtly emotive handwriting, which makes it ideal for editorial material for children and young people. Poems, love letters, food recipes ... everything that is about feelings and sensations looks fresh and elegant dressed in Riacho! Riacho, for its friendly sobriety, also looks great with scientific texts. Mathematical equations typeset in LaTeX / XeTeX systems have never looked so good, no

Download Zigfrida Font Family From Anderson Ruda Zigfrida Typeface was born from a process of re-designing a logo where, through a grid created, I was developing all its main characters. As the project grew, it was noted that it was necessary not only to limit itself to the Latin alphabet, but also to develop Cyrillic characters. Its possibilities of use are endless, can be used in projects for your favorite sport, signs, posters, large formats, advertising projects, architectural, packaging, titles, among others. The result of all this was the development of a font that has up to 747 glyphs that can understand 100% of Latin languages and the vast majority of countries that use the Cyrillic alphabet. It has unique personality and characteristics that bring a differential to any project it is part of. ----- A Zigfrida Typeface nasceu a partir de um processo de re-design de um logotipo onde, através de um grid criado, fui desenvolvendo todos