Posts

Showing posts with the label arrows

[qgctg] Download Klaud fonts from Tour De Force

Image
Klaud Klaud is our new slab serif family with 14 styles. It is compact, stable typeface that's carefully designed to suit in every possible situation where an working horse typeface could be used. Klaud is good balanced, visually equalized family that looks and feels smooth in longer texts and paragraphs, but works well in headlines also cause it's gentle decorative letter parts. Strong look is achieved by more squared then rounded characters design.  As mentioned, Klaud is perfect to fit into any designer's project – from editorial use as the main typeface to situations where you are looking for a couple of words only like posters or packages. It is fully legible and versatile as web font also. Klaud is offered with OpenType features like Numerator, Denominator, Fractions, Small Caps, Oldstyle Figures, Lining Figures, Standard Ligatures, Case Sensitive Forms, Arrows, Alternate Annotation Forms. Klaud Download Now View Gallery

Neue Rasant fonts from Neue - (dztqb)

Image
Neue Rasant → neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system. → neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption. → neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between  a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness. → For trial an

[fgymsixslt] Download Louisa Fonts Family From Julia Hanft

Image
Download Now Server 1 Download Now Server 3 Download Now Server 2 Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold itali

kjpsmhtiar Download Dihjauti Fonts Family From I & O Media

Image
Download Now Server 1 Download Now Server 3 Download Now Server 2 Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It i

Download Monesta Fonts Family From Showup! Typefoundry

Image
Download Monesta Fonts Family From Showup! Typefoundry Monesta ® is a confident smooth serif font family. Designed by Aulia Rahman ,  Monesta ® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator. Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta ® bringing energy and making it suitable for modern design. Download Monesta Fonts Family From Showup! Typefoundry Download Now View Gallery

Download Zuume Soft Fonts Family From Adam Ladd

Image
Download Now Server 1 Download Now Server 2 Download Now Server 3 Zuume Soft is a high-impact, condensed sans serif, display font family with a soft touch. A sister to Zuume , this version features round corners for a little bit of a friendly appearance. Coming in multiple weights and italics, its range in thickness give a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch.  A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more. Also part of each font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available as well. Zuume Soft has many features: • Catchword glyphs (PUA-encoded) • Stylistic alternate

Download Avory Latin Fonts Family From Rosetta

Image
Download Now Server 1 Download Now Server 3 Download Now Server 2 Avory is a gently condensed sans that challenges convention. It finds itself on the expressive end of the spectrum – features like the low optical center and wide horizontal crossbars give it an unmistakable appearance. Tall, with broad shoulders, easily spotted from afar. Designed by Sláva Jevčinová and inspired by the lettering work of Czech designer Jaroslav Benda, a lesser known treasure of mid-century graphic design. From there it developed into a full-fledged typographic power tool. Nine weights, complete with italics, small caps, a wide range of symbols. Typographica’s Typefaces of 2017 Silver from European Design Awards 2018 Modern Cyrillic 2019 Download Avory Latin Fonts Family From Rosetta

Download Olivia Serif Fonts Family From Stabenfonts

Image
Download Olivia Serif Fonts Family From Stabenfonts The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without. Download Olivia Serif Fonts Family From Stabenfonts Download Now View Gallery

Download Olivia Sans Fonts Family From Stabenfonts

Image
Download Olivia Sans Fonts Family From Stabenfonts The rounded Sans with edges. Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without. Download Olivia Sans Fonts Family From Stabenfonts Download Now View Gallery

Download Skolar PE Fonts Family From Rosetta

Image
Download Skolar PE Fonts Family From Rosetta Primarily intended as a robust, energetic text typeface, Skolar was designed to address the needs of serious typography. The typeface, having seen extensive use across diverse platforms and purposes, continues to maintain its credibility in a variety of contexts while incorporating a subtle personal style. Architecturally, Skolar’s letterforms follow conventional proportions for comfortable reading, while its stylistic details introduce warmth and character. At the same time, features such as its relatively large x-height, robust serifs, and low contrast make Skolar a reliable choice even at small sizes and for the most complex editorial and academic text settings. Skolar’s vast character set caters for 90+ Latin-script languages, polytonic Greek, 44+ Cyrillic languages, various Latin transliterations (Pinyin, Sanskrit), Devanagari (Sanskrit, Hindi, Marathi, Nepali, …), and Gujarati. Download Skolar PE Fonts Family

Download Zuume Fonts Family From Adam Ladd

Image
Download Zuume Fonts Family From Adam Ladd Zuume is a high-impact, condensed, display font family consisting of a normal and alternate Zuume Cut family in multiple weights and italics. Its range in thickness gives a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch. A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more. The included alternate Cut family takes the dynamic nature of this design further by adding sliced out elements to flat, horizontal strokes, giving it more movement, aggression, and a sense of speed. Also part of each weight font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs incr

Download Kaunos Fonts Family From Hurufatfont Type Foundry

Image
Download Kaunos Fonts Family From Hurufatfont Type Foundry Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates Download Kaunos Fonts Family From Hurufatfont Type Foundry Download Now View Gallery

Download Quat Fonts Family From Ani Dimitrova

Image
Download Quat Fonts Family From Ani Dimitrova Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The range of styles give a good flexibility to this family. Download Quat Fonts Family From Ani Dimitrova Download Now View Gallery

Download BF Corpa Gothic Pro Fonts Family From Brass Fonts

Image
Download BF Corpa Gothic Pro Fonts Family From Brass Fonts BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requi

Download Icons Dingbats Symbols Set Fonts Family From TypoGraphicDesign

Image
Download Icons Dingbats Symbols Set Fonts Family From TypoGraphicDesign The typeface “Icons Dingbats Smybols Set” is designed at 2019 for the font foundry Typo Graphic Design by Manuel Viergutz. The Basic Icons Set is a display typeface that inspired by the here and now. 426 glyphs / icons / decorative extras like icons, arrows, dingbats, emojis, symbols, ornaments, social media icons, sign of the zodiac, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for or #SMILE for as OpenType-Feature dlig) and stylistic alternates (8 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Icons Dingbats Smybols Set ■ Font Weights: Reg + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win

Download Amica Pro Font Family From Schizotype

Image
Download Amica Pro Font Family From Schizotype Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Schizotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a supe