Anastasia Aliyeva

Proto Mono Proto Mono ™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages. Proto Mono Download Now View Gallery

Download Center 2 Fonts Family From Signal The future is squarish. Georg Trump knew it in 1930 when he designed City. Hermann Zapf knew it in 1952 when he designed Melior. Aldo Novarese knew it in 1962 when he designed Eurostile. Center isn’t about to argue. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Its branches are angled in homage to OCR-A. Its terminals are gently softened. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. This redrawn and expanded version of the best-selling text/display family now boasts nine weights, ranging from the taut, elegant Thin to the massive Ultra, each with a matching italic. Rounding of terminals is subtler in this new release, and forms have been optimised for use in longer texts. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and a full range of dia

Download Quota Font Family From Ryan Williamson Quota is an investigation into the modularity of the Cyrillic alphabet. Unlike Latin and Greek, the Cyrillic alphabet owes much of its form to its development in early industrious printing and movable type. This lead the Cyrillic alphabet to be dominated by hard edge and straight lines, giving it a much more modular overall construction. The forms within the Cyrillic alphabet therefor allow for all the characters themselves to have somewhat unified side bearings without compromising ease of reading. Within Quota the default character set has only unified side bearing, giving a more relaxed mono-spaced appearance. While the first stylistic set unifies the entire character set with the same character width, creating a true mono-spaced typeface. Quota was initially designed in Cyrillic, catering to all languages using the alphabet. While the Latin was designed after, and is loosely based of the